System-1 Roland Librarian Patch Samples

Introduction

    All of these patches come available for free for the Roland System-1 via the Roland Librarian software. These are just sound clip examples.  These clips are for demonstration use only, and not for resale or reuse, commercial or otherwise. I am doing this to demonstrate the suitability of the Roland System-1, mainly for church environments. If you like what you hear, please consider buying a Roland System-1. I believe this is money well spent.

    As well, I have now included all the patches names for all the System-1 Plug-Outs.  I am currently working towards trying to record them all.

    If you appreciate this page, please consider donating to help me create more like it.

    For monophonic and unison patches, my demonstration will be a scale, but for polyphonic patches, my demonstration will be a chord. For sequencer (SQ) patches, I hold a C2 chord in the middle of the keyboard, even if the patch doesn't come with ARPEGGIO enabled.  Also, if SQ patches have KEY HOLD enabled, I shut it off so you can hear the arpeggios decay.  For sound effect and drum patches, if they are completely atonal, I simply play the lowest note on the keyboard.  My method is to literally select the patch and then play the demonstration: I am not modifying the octave or any other information. Some clips may be longer than others because some patches take longer to fully run any filter or ADSR effects, but otherwise clip time will only be 5 seconds.  My technique is to record them all into my Boss BR-80 as one recording, take it into Audacity, amplify the file as a whole (i.e. so that all the sound clips within each set are normalized in volume to each other), and then slice out each clip into an MP3 file.  Some of these were recorded on cheap USB speakers in hotel rooms (because I was on a road trip) but I don't think the quality suffered so much that the sound clips can't be used as a reference.

    The second half of this article will include sound clips of some patches I have converted into pads.

    Roland seems to use following annotation: "BANK-PRESET-NAME".

    This article is currently a DRAFT. I have recorded all the examples of Roland Librarian presets, but the adapted patches below are still being recorded.

    Roland seems to use a naming convention as follows:

System-1

System-1 Memory Set 1

1-01-BS Dominator 1-02-SQ Legend Sound 1-03-SQ Arpg Bell 1-04-PD Vowel Pad 1-05-PD Deep Pad 1-06-LD Dirty Wired 1-07-BS Future House 1-08-SY Tele Pluck
1-09-BS FM Bass 1-10-SQ Seq Boy 1-11-LD EDM Lead 1-12-SY Like A Juno 1-13-PD Hoth Pad 1-14-LD Lead Singer 1-15-SQ Ring Of State 1-16-FX Robot Monk
1-17-SY Bright Sun 1-18-BS Saw Detune 1-19-SQ Dist Drive 1-20-LD Shiri Blanca 1-21-BS Gastron 1-22-SQ Arpg Reso 1-23-SY Dusted 1-24-SQ Soft Pluck
1-25-SY Hyper Rave 1-26-SY Digi Clav 1-27-BS Low Saw BS 1-28-SQ Electro Shock 1-29-SY Tremological 1-30-LD Metal Mouth 1-31-PD Shivers 1-32-BS Voice Bass
1-33-SY Sky Drive 1-34-PD Formant Pad 1-35-BS Saw and PWM 1-36-LD Hi Vowel 1-37-LD Dual Vowel LD 1-38-PD Space Pad 1-39-PD Reso Voice Pad 1-40-PD Noise Pad
1-41-FX Filling 1-42-FX Out of Tune 1-43-PD Strings Saw 1-44-PD StringsSQ 1-45-PD Strings Tri 1-46-PD String Trem 1-47-PD Strings 5th 1-48-PD String Res
1-49-BL Poly Bells 1-50-BL Reso Bell 1-51-PD Poly Pad Res 1-52-SY Organic 1-53-SY Classic Brs 1-54-SY Low Clav 1-55-SY Hoover Syn 1-56-FX Experimental
1-57-BS S&H Bass 1-58-BS Fat Noiz Saw 1-59-BS PWM FM BS 1-60-BS Organ Bass 1-61-SQ Arpg Cheese FM 1-62-SQ Brightly 1-63-DR Syn Kick 1-64-FX Space Fall

System-1 Memory Set 2: Bass Sounds

2-01-BS Simple Sqr BS 2-02-BS Low Sqr Atk BS 2-03-BS Square BS 2-04-BS Simple Reso BS 2-05-BS Deep Bass 2-06-BS Sub Sine BS 2-07-BS FM Saw BS 2-08-BS FM Sqr BS
2-09-BS Atk Bass 2-10-BS FM II 2-11-BS FM Sub Deep 2-12-BS Future Bass 1 2-13-BS Future Bass 2 2-14-BS Voice Future 2-15-BS Vowel Atk BS 2-16-BS Thud Bass
2-17-BS Metal Voice BS 2-18-BS FM Sync BS 2-19-BS Super Sqr BS 2-20-BS Detune Saw BS 2-21-BS Fingers 2-22-BS Low Waves 2-23-BS Wide Syn BS 2-24-BS 5th Bass
2-25-BS Darts 2-26-BS Bounce Bass 2-27-BS Boz 2-28-BS Bury Bass 2-29-BS Dirty Deep 2-30-BS Deep Grain BS 2-31-BS Tesla 2-32-BS Wobble
2-33-BS Crush Wobble 2-34-BS Runner Bass 2-35-BS Pitch Bass 2-36-BS Pipe Dream 2-37-BS Gastron 2 2-38-BS Shock Therapy 2-39-BS Marble Bass 2-40-BS Sludge

System-1 Memory Set 3: Lead Sounds

3-01-LD Basic Lead 3-02-LD Simple Sqr 3-03-LD Classical PWM 3-04-LD Whistle Lead 3-05-LD Piper lead 3-06-LD SYnc lead 3-07-LD Hard Lead 3-08-LD FM Sync Lead
3-09-LD LFO Saw LD 3-10-LD Fast LFO Lead 3-11-LD Cowlead 3-12-LD Nicki Charm 3-13-LD LowSQuares 3-14-LD Sweeper 3-15-LD Laser Lips 3-16-LD TremSYncLD
3-17-LD Needles 3-18-LD Pinch 3-19-LD 3rd Moon 3-20-LD Trap Coin 3-21-LD Low Brass LD 3-22-LD Mad Hatter 3-23-LD Stutterglide 3-24-LD Tweezer
3-25-LD Spitter 3-26-LD Sizzle 3-27-LD Hysteria 3-28-LD LFO Fade LD 3-29-LD Element 3-30-LD Complextro LD 3-31-LD Formant Lead 3-32-LD Vowel Sync LD
3-33-LD FM Logical 3-34-LD Radical Voice 3-35-LD Dist Sync 3-36-LD Logical LD 3-37-LD Reso Tech 3-38-LD Ice Lead 3-39-LD Big 5th 3-40-LD Wide Spectrum

System-1 Memory Set 4: Pads and Bells

4-01-PD Strings 1 4-02-PD Strings 2 4-03-PD Soft FM Pad 4-04-PD Triangle Pad 4-05-PD Gentleness 4-06-PD Bright 5tr 4-07-PD Choir Pad 4-08-PD Dynamic Str
4-09-PD Buzz Strings 4-10-PD Blue Move 4-11-PD Ocean Pad 4-12-PD Star Pad 4-13-PD Prog Pad 4-14-PD Super Saw Pad 4-15-PD Big Super Pad 4-16-PD AIUEO Pad
4-17-PD Monk Pad 4-18-PD Delay & Hold 4-19-PD Midrange 4-20-PD Close Encountr 4-21-PD Sunrise Pad 4-22-PD Tremolo Pad 4-23-PD Reverse Str 4-24-PD Rising String
4-25-PD Atk Strings 4-26-PD 9th Stack Str 4-27-BL Fantazoid 4-28-BL Small Bells 4-29-BL Impulse Bell 4-30-BL FM Bell 4-31-BL Strong Bell 4-32-BL Crush Bells

System-1 Memory Set 5: Synth Sounds

5-01-SY Helestab 5-02-SY China Mood 5-03-SY Short Brass 5-04-SY Chordwind 5-05-SY Logic Organ 5-06-SY 5th High Brs 5-07-SY Translation 5-08-SY FM Sync Saws
5-09-SY Trance Saws 5-10-SY Stab 5th 5-11-SY RAVE 5-12-SY RAVE II 5-13-SY Radio Stab 5-14-SY Square LFO 5-15-SY Mono/Poly Sqr 5-16-SY Babbling Syn
5-17-SY Fall Hoover 5-18-SY Voice Plunge 5-19-SY Vowel Synth 5-20-SY Robotic Anger 5-21-SY Corkscrew 5-22-SY Hi-Low Logic 5-23-SY Cow Atk Synth 5-24-SY Squar Pluck
5-25-SY Saw Pluck 5-26-SY Trance Pluck 5-27-SY LoFi Pluck 5-28-SY Elec Banjo 5-29-SY Reso Pluck 5-30-SY Piercings 5-31-SY Cow Pluck 5-32-SY Robo Humming
5-33-SY Dirty Pluck 5-34-SY Digi Pluck 5-35-SY Ice Pizz

System-1 Memory Set 6: Drums and Sound Effects

6-01-DR Noise Perc 6-02-DR Techno Perc 6-03-FX Brontide 6-04-FX Orbit Pluck 6-05-FX Stab Odd FM 6-06-FX Crystal Glass 6-07-FX Reso Logic 6-08-FX Humming
6-09-FX Rewinder 6-10-FX Entry 6-11-FX Sync2 The Fire 6-12-FX Moving Up 6-13-FX Darkness 1 6-14-FX Darkness 2 6-15-FX Logical Mod 6-16-FX Slow Nz Stab
6-17-FX Subliminal 6-18-FX Space Colony 6-19-FX Broken Toy 6-20-FX Passing By 6-2l-FX Harmonia 6-22-FX Asian Ghost 6-23-FX Connecting 6-24-FX Drone Alarm
6-25-FX Raise & Fall 6-26-FX Caos2Harm 6-27-FX Less of Ctrl 6-28-FX Super Circuit 6-29-FX Coin Operated 6-30-FX Dog And Bee 6-31-FX Chatter 6-32-FX Monk Talk

System-1 Memory Set 7: Sequencer Sounds

7-01-SQ Tech Trance BS 7-02-SQ Movin Bass 7-03-SQ Drop Trap 7-04-SQ Arpg Electro 7-0S-SQ Logical Seq 7-06-SQ Reso Groove 7-07-SQ Arpg Chicago 7-08-SQ Epic Super Saw
7-09-SQ Detroit Pluck 7-10-SQ Growl 7-11-SQ Glass Arpg 7-12-SQ S&H Reso 7-13-SQ Tri Soft Arpg 7-14-SQ Tiny Arpg 7-15-SQ Nightly News 7-16-SQ Soft Plk Seq
7-17-SQ Bouncing Plk 7-18-SQ Sqr Pluck Arpg 7-19-SQ Trance Plk 7-20-SQ Arpg Cheese 7-21-SQ Arpg 3rd 7-22-SQ Reso Atonl 7-23-SQ Metallic Sqr 7-24-SQ Pinch Arpg
7-25-SQ Bounceback 7-26-SQ Tropical Seq 7-27-SQ Gum Drop 7-28-SQ Chasing Bells 7-29-SQ Buzz Glass 7-30-SQ TikTak Pluck 7-31-SQ Hard Seq 7-32-SQ Pumpin Arpg
7-33-SQ Minimal Perc 7-34-SQ Not Even 7-35-SQ Wire Waves 7-36-SQ Voice Pulse

System-1 Modified Roland Factory Presets

    Here I demonstrate how some patches can be converted into pads or other useful forms.  I didn't turn down the DELAY in any of the samples below, but my preference is to turn DELAY off because I don't like "artifacts" if I switch quickly between patches.  If the only change I would make is to the DELAY knob, I will not include it in this section.
    When I say "an amp envelope more suitable for pads" or "default pad" I mean setting attack to zero and decay, sustain, and release to 50%.
    I mostly skipped trying to adapt formant-vowel ("computer voice") patches because there are already plenty of these in the Roland Librarian.  Also, if making a lead into a pad involves only switching to polyphonic mode, I didn't list those.  It is my personal preference to not use leads in mono or unison modes because I might want to use major/minor 3rds or 6ths in my leads.
    To turn a "section" off means you prevent it from influencing the tone.  For example, to turn the LFO section "off", place the LFO PITCH, FILTER, and AMP knobs to the neutral position.

Recording # BANK PRESET NAME NOTES
1 1 2 PD Legend Sound
Set AMP envelope to a default pad, switch to polyphonic, turn off ARPEGGIO, turn off OSC2 detune, and you have a EDM-like pad
2 1 3 PD Arpg Bell
Set AMP envelope to a default pad, turn off ARPEGGIO, and you have a nifty bell/fantasy pad You might want to reduce some of the influence of the hold-and-sample LFO by turning down the OSC1 COLOR knob to about 50%.
3 1 8 PD Tele Pluck
Set AMP envelope to a default pad, set FILTER envelope completely off, set FILTER ENV and KEY to neutral, FILTER LPF CUTOFF to half, and LFO FILTER to neutral and you have a nice mild pad.
4 1 14 PD Lead Singer
Set PITCH envelope to off, PITCH knob to neutral, LFO PITCH to neutral, PORTAMENTO off, and AMP envelope to default pad and you have a pretty cool pad.
5 1 15 PD Ring Of State
Set ARPEGGIO off, disable OSC2 detune, AMP envelope to a default pad, and adjust DELAY to taste for a very beautiful pad.
6 1 19 PD Dist Drive
Set ARPEGGIO off, polyphonic mode, AMP envelope to a default pad, LFO FILTER to neutral, OSC1 to 16 foot, OSC2 to 8 foot, and dial down both COLOR knobs to about the 9 o'clock position for a nifty airy pad.
7 1 20 PD Shiri Blanca
Set AMP envelope to a default pad and select polyphonic for a nifty bright pad
8 1 21 PD Gastron
Set AMP envelope to a default pad, OSC1 to 16 foot, OSC2 to 8 foot, and select polyphonic for a bold pad
9 1 24 PD Soft Pluck
Set AMP envelope to a default pad, ARPEGGIO off, FILTER envelope off, FILTER KEY and ENV to neutral, and dial in LFP CUTOFF to taste for a nifty fantasy pad
10 1 27 PD Low Saw
Set OSC1 to 16 feet and OSC2 to 8 feet, polyphonic mode, PORTAMENTO off and LEGATO off and you have a nifty pad.
11 1 29 PD Tremological
Set polyphonic mode, AMP envelope to a default pad, OSC1 and OSC2 COLOR knobs to about 9 o'clock, and disable the LFO section and you have a nice bold pad.
12 1 33 PD Sky Drive
Just turn off ARPEGGIO and you have a cool pad.
13 1 35 PD Saw and PWM
Just set polyphonic mode, OSC1 to 16 foot, and OSC2 to 8 foot, and AMP envelope to default pad, and you have a fantasy-influenced string pad.
14 1 37 PD Dual Vowel Ld
Set polyphonic mode, PORTAMENTO off, and LEGATO off and you already have a delicately beautiful pad.  Reduce LFO PITCH to taste.
15 1 40 PD Noise Pad
Turn the CROSS MOD knob all the way down for a great sounding patch (as recorded). For less "motion", turn down the OSC 2 COLOR knob.
16 1 47 PD Strings 5th
Turn off OSC2 detune and you have a string pad similar to several other pads listed here (which is why I didn't record it).
17 1 49 PD Poly Bells
Set AMP envelope to default pad and you already have a great bold fantasy-like pad.
18 1 50 BL Reso Bells (MOD) Set OSC2 detune off for a better sounding bell patch.
19 1 51 PD Poly Pad Res
Set LFO FILTER to neutral, LEGATO off, PORTAMENTO off, and AMP envelope to default pad for a deep sounding pad.
20 1 52 SY Organic Not a modification, but just a note: this is a great pipe organ sound.
21 1 58 PD Fat Noiz Saw
Set polyphonic mode, AMP envelope to default pad, OSC1 to 16 foot and OSC2 to 8 foot for a nice slightly-gritty pad.
22 1 59 PD PWM FM
Set polypohinc mode, OSC1 to 16 foot, and OSC2 to 8 foot for an almost Ghostbusters (tm) pad.
23 1 60 PD Organ B3
Set polyphonic mode, OSC1 to 16 foot, OSC2 to 8 foot, and you have a suitable B3 Organ substitute
24 1 61 PD Arpg Cheese FM
Turn off ARPEGGIO, set AMP envelope to default pad, LEGATO off, and PORTAMENTO off for a nice pluck + pad sound.
25 2 4 PD Simple Reso Bs
Set polyphonic mode, OSC1 to 16 foot, OSC2 to 8 foot, turn off LEGATO and PORTAMENTO, and you have a nifty Daft Punk(tm) style patch.
26 2 6 PD Sub Sine Bs
Set polyphonic mode, OSC1 to 16 foot, OSC2 to 8 foot, turn off LEGATO and PORTAMENTO and this patch sounds like a Marimba.
27 2 11 PD FM Sub Deep
Set OSC1 to 8 foot, OSC2 to 4 foot, and PITCH section off for something that sounds like a banjo pad.
28 2 12 PD Future Bass 1
Set OSC1 to 16 foot for an interesting pluck sound.  To make it into a pad would require changing filter settings, which would defeat the purpose.
29 2 17 PD Metal Voice Bs
Set OSC1 to 16 foot, OSC2 to 8 foot, PORTAMENTO off, and polyphonic for a patch that seems to mix both pluck and deep pad.
30 2 19 PD Super Sqr Bs
Set OSC1 to 16 foot, OSC2 to 8 foot, LFO section off, and polyphonic for a beautiful pad.
31 2 20 PD Detune Saw Bs
Set OSC1 to 16 foot, OSC2 to 8 foot, PORTAMENTO off, and polyphonic mode, and you have a nice pad you might hear on a Daft Punk (tm) album.
32 2 22 PD Low Waves
Set OSC1 to 16 foot, OSC2 to 8 foot, PORTAMENTO off, polyphonic mode, and LEGATO off, and you have a bold organ-like patch.
33 2 23 PD Wide Syn Bs
Set OSC1 to 16 foot, OSC2 to 8 foot, and PORTAMENTO off, and you have a bold synthwave-like patch.
34 2 24 PD 5th Bass
Set OSC1 to 16 foot, OSC2 to 8 foot, OSC2 detune off, and polyphonic for a nice Instant Crush (tm) type sound.
35 2 25 PD Darts
Set OSC1 to 16 foot, OSC2 to 8 foot, PORTAMENTO off, polyphonic mode, turn off PITCH section, and turn off the LFO section for a nifty sounding pad.
36 2 26 PD Bounce Bass
Set OSC1 to 16 foot, OSC2 to 8 foot, polyphonic mode, and AMP envelope to default pad for an interesting pad with an attack filter sweep.
37 2 27 PD Boz
Set OSC1 to 16 foot, OSC2 to 8 foot, and polyphonic mode, and you have an interesting piano-like pad.  Set AMP envelope to default pad for an interesting piano-like attack pad (recorded).
38 2 28 PD Bury Bass
Set OSC1 to 16 foot, OSC2 to 8 foot, polyphonic mode, LFO FILTER to neutral, PITCH section off, and AMP envelope to default pad and you have a nice deep pad.
39 2 29 PD Dirty Deep
Set OSC1 to 16 foot, OSC2 to 8 foot, and polyphonic mode and you have a nice bold pad.
40 2 33 PD Crush Wobble
Set OSC1 to 16 foot, OSC2 to 8 foot, polyphonic mode, PORTAMENTO off, LEGATO off, LFO KEY TRIG on, LFO FILTER and AMP to neutral and AMP envelope to default pad and you have a bold filter-sweeping pad.
41 2 35 PD Pitch Bass
Set OSC1 to 16 foot, OSC2 to 8 foot, polyphonic mode, disable the PITCH section, disable the LFO section, and you have what sounds like almost a dual voice piano + bells pad.  Nice!
42 2 36 PD Pipe Dream
Set OSC1 to 16 foot, OSC2 to 8 foot, polyphonic mode, disable the PITCH section, set LFO FILTER to neutral, PORTAMENTO off, and you have a nice bells + noise pad.  You may want to decrease the amount of DELAY to make it more useful in church.
43 2 37 PD Gastron 2
Set OSC1 to 16 foot, OSC2 to 8 foot, and polyphonic mode, and you have what sounds like an accordion noise pad.  Cute.
44 2 38 PD Shock Therapy
Set OSC1 to 16 foot, OSC2 to 8 foot, polyphonic mode, and LFO AMP to neutral, enable LFO KEY TRIG, and set AMP envelope to default pad, and you have a nifty filter-sweeping pad with a low grumble.  Interesting.
45 2 39 PD Marble Bass
Set OSC1 to 16 foot, OSC2 to 8 foot, polyphonic mode, CROSS MOD off, LFO PITCH to neutral, and both OSC1 & 2 COLOR knobs to about 10 o'clock, and you have a nice gritty, deep pad.
46 2 40 PD Sludge
Set OSC1 to 16 foot, OSC2 to 8 foot, polyphonic mode, PITCH section off, LFO section off, PORTAMENTO off, and you have a nifty filter-sweeping pad.
47 3 9 LD LFO Saw Ld
Set polyphonic mode, turn off LEGATO and PORTAMENTO, and set AMP envelope to default pad for a bold gritty pad.
48 3 10 LD Fast LFO Lead
Set polyphonic mode, turn off LEGATO and PORTAMENTO, and set AMP envelope to default pad for a gentle gritty pad.
49 3 12 LD Nicki Charm
Set polyphonic mode, turn off LEGATO and PORTAMENTO, and set AMP envelope to default pad for an old-school sounding organ.
50 3 13 LD Low Squares
Set polyphonic mode, turn off LEGATO and PORTAMENTO, and set AMP envelope to default pad for a bold Tron(tm)-like pad.
51 3 14 LD Sweeper
Set polyphonic mode, turn off LEGATO and PORTAMENTO, set AMP envelope to default pad, and turn on LFO KEY TRIG for a pad that will work well for the next Aliens(tm) movie.
52 3 15 LD Laser Lips
Set polyphonic mode for a pad that sounds like a choir of handsaws.
53 3 16 LD Trem Sync Ld
Set OSC2 detune off, LFO section to neutral, and PITCH section off for a patch that sounds like someone in the movie Tron playing digital bagpipes.
54 3 18 LD Pinch
Set polyphonic mode for a "meow" pad.
55 3 20 LD Trap Coin
Set polyphonic mode and turn the LFO section off for a "broken glass choir."
56 3 21 LD Low Brass Ld
Turn LEGATO off to improve key tracking on this patch.
57 3 22 LD Mad Hatter
Set polyphonic mode, AMP envelope to default pad, and LFO FILTER to neutral for a nice pad with a bell-like attack but a deep gritty sustain.
58 3 28 LD LFO Fade Ld
Set polyphonic mode and LFO section off for a bold, "washed out brass" type of pad.
59 3 39 LD Big 5th
Set polyphonic mode, turn off OSC2 detune, and you have a very bold EDM-inspired pad
60 3 40 LD Wide Spectrum
Set polyphonic mode, turn off OSC2 detune, and set AMP envelope to default pad, and you have a half-detuned pad (probably due to cowbell waveform) that might work for you.
61 4 12 PD Star Pad This patch seems to be using max CROSS MOD and OSC2 detune, plus a lot of other effects.  Once I took these elements out, the patch sounded like a string pad, so I didn't record it.
62 4 17 PD Monk Pad After I took OSC2's detune completely out and set the amp envelope to one better suited for pads, it sounded good, although its choice of formant oscillator wave forms might be the real reason you wouldn't use it in church.
63 4 19 PD Midrange Setting the amp envelope to something more suited to a pad made this patch sound great.
64 4 22 PD Tremolo Pad Setting the FILTER knob in the LFO, the amp envelope to something more suitable for a pad, the LPF CUTOFF to taste, and the FILTER envelope ADSR sliders to 0% turned this into a pretty nifty sounding pad.  One could also adjust the LFO AMP knob to taste to reduce the tremolo.
65 4 24 PD Rising String Setting the LFO, FILTER section and AMP section to pad defaults, and turning off PITCH and detune OSC2 TUNE sections results in a different sounding string pad, but I didn't find it particularly different enough from other string pads to bother recording it.
66 4 26 PD 9th Stack String Turning of the detune of OSC2 results in a good pad, and more useful in worship, in my opinion, because I'd rather play 9th chords manually than risk having the patch doing it and end up getting dissonance.  But ultimately it wasn't noticeable.
67 4 31 BL Strong Bells This patch sounds moderately detuned, which makes it barely useful in worship (in my opinion).  However, turning off OSC2's detune actually makes it more noticeable, which implies this patch is using cowbell waveforms.  In the end, I think it works the way it is.  You could also turn down LPF CUTOFF to tame some of the brightness.
68 4 32 BL Crush Bells Unlike BL Strong Bells, turning off OSC2's detune doesn't seem to make any difference.  This patch might work in worship, but keep in mind it's detuned.
69 5 7 SY Translation Simply moving the OSC2 TUNE knob back to neutral makes this a great pad.
70 5 10 SY Stab 5th Shutting off OSC2 detune and switching to polyphonic makes a good pad, but it sounds a bit like the other pads that are available.
71 5 11 SY RAVE
Turning off the PITCH section, OSC2 detune, LEGATO and PORTAMENTO resulted in a pretty nifty pad
72 5 12 SY RAVE II
Turning off OSC2 detune and selecting polyphonic resulted in a nice sounding pad
73 5 14 SY Square LFO
Selecting polyphonic and turning off LFO AMP FILTER and PITCH made it useful as a pad, but changed its sound completely
74 5 16 SY Babbling Syn
Setting the AMP envelope to a default pad and turning off DELAY resulted in a nifty pad that almost sounds like it's being played on a rainy day.
75 5 19 SY Vowel Synth
Turning down the OSC1 and OSC2 color knobs resulted in a neat formant pad, but there are already formant pads on set 4.
76 5 21 SY Corkscrew
Turning off the PITCH section and selecting a default pad AMP envelope resulted in a cool fantasy-like pad.
77 5 26 SY Trance Pluck
Centering the OSC2 TUNE knob is pretty much all you need to do.  The rest is preference.
78 5 30 SY Piercings
Set to polyphonic, set the AMP envelope to a default pad, and set LFO AMP to neutral for a cool fantasty-like pad
79 5 33 SY Dirty Pluck
Set AMP envelope to a default pad, and LFO FILTER to neutral for a nice pad
80 5 35 SY Ice Pizz
Set AMP envelope to a default pad and you have a pretty cool bright pad
81 7 2 PD Movin Bass
Set OSC1 to 16 foot, OSC2 to 8 foot, disable ARPEGGIO, and set AMP envelope to default pad and you have a plucky sort-of-pad.
82 7 4 PD Arpg Electro
Set ARPEGGIO off, polyphonic mode, AMP envelope to default pad, LFO PITCH to neutral, and you have an interesting deep "babbling" pad.
83 7 5 PD Logical Seq
Set ARPEGGIO off, polyphonic mode, and LFO AMP to neutral, and you have a nice airy pad.
84 7 6 PD Reso Groove
Set ARPEGGIO off, polyphonic mode, AMP envelope to default pad, and you have laser beams in the wind.
85 7 7 PD Arpg Chicago
Set ARPEGGIO off, KEY HOLD off, polyphonic mode, AMP envelope to default pad, OSC1 to 16 foot, OSC2 to 8 foot, FILTER LPF CUTOFF to 50%, RESO 0%, ENV and KEY neutral, HPF CUTOFF 0%, and FILTER ADSR to 0% and you have a cute sounding pad.
86 7 8 PD Epic SuperSaw
Set ARPEGGIO off and you have a bold string pad.
87 7 10 PD Growl
Set ARPEGGIO off and OSC2 detune off and you have a deep bassy pad
88 7 11 PD Glass Arpg
Set ARPEGGIO off and you have a beautiful glassy sounding pad. I've used this live and I swear I heard an audible gasp.
89 7 12 PD S&H Reso
Set ARPEGGIO off and you have a fantasy-like pad that almost sounds like there are birds chirping in the background.
90 7 13 PD Tri Soft Arpg
Set ARPEGGIO off, FILTER ADSR to 0%, FILTER LPF CUTOFF to 50%, RESO to 0%, ENV and KEY to neutral, HPF CUTOFF to 0%, and you have a nice pad that sounds like bells or a very mild organ.
91 7 14 PD Tiny Arpg
Set ARPEGGIO off, FILTER ADSR to 0%, FILTER LPF CUTOFF to 50%, RESO to 0%, ENV and KEY to neutral, HPF CUTOFF to 0%, MIXER OSC1 and OSC2 to 50%, and AMP to default pad, and you have a nice pad that sounds like shimmery bells
92 7 17 PD Bouncing Plk
Set ARPEGGIO off, polyphonic mode, and AMP envelope to default pad and you have a nice pluck + pad sound.
93 7 19 PD Trance Plk
Set ARPEGGIO off and AMP envelope to default pad and you have a plucky, airy, fantasy pad.
94 7 20 PD Arpg Cheese
Set ARPEGGIO off, KEY HOLD off, and AMP envelope to default pad and you have a bright fantasy pad with motion.
95 7 21 PD Arpg 3rd
Set ARPEGGIO off, KEY HOLD off, AMP envelope to default pad, and disable OSC2 detune and you have a pad with lots of motion.
96 7 23 PD Metallic Sqr
Set ARPEGGIO off and AMP envelope to default pad and you have a pluck with a gentle pad with motion behind it.
97 7 24 PD Pinch Arpg
Set ARPEGGIO off, polyphonic mode, and AMP envelope to default pad, and you have a pulsating pad with a clicky attack.
98 7 25 PD Bounceback
Set ARPEGGIO off, polyphonic mode, OSC1 to 16 foot, OSC2 to 8 foot, and AMP envelope to default pad and you have a pad with a plucky attack and a bassy swell.
99 7 26 PD Tropical Seq
Turn off ARPEGGIO and you have a sound similar to Instant Crush (tm).
100 7 27 PD Gum Drop
Turn off ARPEGGIO and set FILTER AMP to neutral and you have a barely detuned buzzy bold pad.
101 7 28 PD Chasing Bells
Turn off ARPEGGIO and set AMP envelope to default pad and you have a plucky bell-like pad.
102 7 29 PD Buzz Glass
Turn off ARPEGGIO and you have a bell-like fantasy pad.
103 7 31 PD Hard Seq
Turn off ARPEGGIO and set polyphonic mode and you have a plucky pad with a noisy sustain.
104 7 33 PD Minimal Perc
Turn off ARPEGGIO and set polyphonic mode for a deep quiet pad with a chalky attack.

Pro Mars Factory Patches

Pro Mars Memory Set 1: Assorted

SY the PROMARS
BS Horror Bass
LD Future Lead
SY Horror Osc
BS Wobble Saw
LD Fire Lead
DR Kick and Bass
SY Largeness
BS Saw Bass
BS Saw Long Bass
BS Saw Oct Bass
BS Saw Sub Bass
BS Saw Rise Bass
BS Reso Saw Bass
BS Sweep Saw Bs
BS Funky Bass
BS Sqr Atk Bass
BS Sqr Simple Bs
BS Square Bass 1
BS Deep EDM
BS Square Bass 2
BS Sweep Sqr Bs
BS Reso Sqr Bass
BS Synth Bass
BS Future Bass
BS Flanger Bass
BS Retro Bass
BS 5th Syn Bass
BS DnB Reese
BS Hoover Bass
BS Sub Reese
BS Sqr Sub Bass
BS Monster Bass
BS Deep Bs
BS Sqr Low Bass
BS Reso Sine Bs
BS Hard Sub
BS Atk Bass 1
BS Atk Bass 2
BS 5th Bass
BS LFO Bass 1
BS LFO Bass 2
BS Talking Bass
BS LFO Vowel




Pro Mars Set 2: Leads

D Saw Lead (45)
LD Single Saw Ld
LD Soft Saw Lead
LD 2OSC Saw Ld
LD Saw Oct Lead
LD Saw 5th Lead
LD Saw LFO Lead
LD Pure Lead
LD Simple Square
LD High Square
LD Detune Saw Ld
LD Pure Sqr Lead
LD Sweep Sqr Ld
LD Sweep Lead
LD Sqr Oct Lead
LD AP Lead
LD PWM Lead
LD Harmony Lead
LD Ultra Unison
LD Driving Lead
LD NRG
LD Big Lead
LD Fat Lead 1
LD Fat Lead 2
LD Power Lead
LD Hoover Lead
LD Noise Lead
LD Neuro Lead
LD OldschoolTech
LD Ring Lead
LD Monster Lead
LD Fighting Bee
LD Low Soft Lead
LD Aurora Lead
LD Voice Lead
LD Whistle Ld 1
LD Whistle Ld 2
LD Stab Lead


Pro Mars Set 3: Synths

SY Popcorn Pluck
SY Sqr 5th Pluck
SY Machine Per
SY Bounce Saw
SY Oct Saw Synth
SY Rustic Bell
SY Wired Pulse
SY Tiny Bell
SY Dream Pluck
SY EDM Drop
SY Spring Pluck
SY Drop Pluck
SY Hysteric Plk
SY Retro Tech Plk
SY Air Vibe
SY Ambient Pulse
SY Aurora
SY Drop 5th Saws
SY Random Sqr
SY Gentle Sweep
SY Major Sweeper
SY Low Brass
SY Scratcher
SY Hard Tech
SY 8bit Melo







Pro Mars Set 4: Assorted

FX Dream Sweep
FX Randomize
FX Computer Lab
FX Sci-Fi
FX Drone Heli
FX Emergency
FX Warp Fx
FX Festival Syn
FX Retro Car
FX Firework
FX Space Fx
FX Wired Noise
FX Feedback Mod
FX Mars Fx
FX Metal Percus
FX Fall Fx
FX Dark Cry
FX Space Warp
FX Newsnr
FX Minor Steps
FX SynDr Fx 1
FX SynOr Fx 2
DR Analog Kick
DR Machine Kick
DR Square Tom
DR Timpani
DR Pere Noise
DR Syn Snare
SQ Lo-Bit Kick
SQ 8Beat Bass
SQ Electro Ska
SQ Metal Bouncer
SQ Haunted Seq 1
SQ Haunted Seq 2
SQ Arpg Fx 1
SQ Arpg Fx 2
SQ Arpg Fx 3
SQ Arpg Fx 4
1979 PromrsBass
1979 PromrsStr
1979 PromrsClavi
1979 PromrsPiano
1979 PromrsVocal
1979 PromrsTb
1979 PromrsSax
1979 PromrsTp
1979 PromrsSyn1
1979 PromrsSyn2

SH-2 Plug-Out Patches

SH-2 Set 1: Assorted

BS the real SH-2
LD Alpha lead 1
BS LFO Rezo Bs
SY Trance Pluck
LD Dual Square
BS Fat Bass
LD NY Lead 1
FX Space Zap
BS Saw Bass 1
BS SH-2 Bass 1
BS SH-2 Bass 2
BS Saw Bass 2
BS Oct Saw Bass
BS SH-2 Bass 3
BS NY Bass 1
BS Reso Bass
BS SH-2 Bass 4
BS SH-2 Bass 5
BS Noise Atk Bs
BS Oct Fat Bass
BS Square Bass 1
BS Square Bass 2
BS Prog Bass
BS Deep Atk Bass
BS Neuro Bass
BS Sub OSC Bass
BS NY Bass 2
BS Lazy Bass
BS Big Bass
BS SH-2 Bass 6
BS Deep Reeze
BS 808 Bass
BS Sine Bass
BS SH-2 Bass 7
BS Organ Bass 1
BS Organ Bass 2
BS Monster Bass
BS Deep Detune
BS SH-2 Bass 8
BS Psy Bass
BS EDM Bass
BS Vowel Bass
BS DnB Reeze
BS Talk
BS Oh! Bass




SH-2 Set 2: Leads

LD Saw Lead 1
LD Saw Lead 2
LD Saw Lead 3
LD Fuzz Lead
LD NY Lead 2
LD Triangle Lead
LD HI Lead
LD SH-2 Lead 1
LD PWM Lead
LD Mix Lead
LD NY Lead 3
LD Oldschool Ld
LD Funky Lead
LD VC Lead
LD LikeSync Lead
LD Space Lead
LD 5th Saw Lead
LD Alpha Lead 2
LD 5th Key
LD Open 9th
LD Techno Lead 1
LD Techno Lead 2
LD NY Lead 4
LD LFO Lead 1
LD LFO Lead 2
LD Alien Lead
LD EDM Lead 1
LD EDM Lead 2
LD NY Lead 5
LD SH-2 Lead 2
LD Dist LFO
LD Doom
LD Deep House Ld
LD Opera
LD Bubble Lead
LD Analog Voice
LD TMT Lead
LD Retro Voice


SH-2 Set 3: Assorted

SY Overtone Seq
SY Random Filter
SY Trap Synth
SY Tech Synth
SY 3 Oct Saws
SY Marcato Saw
SY Rave Synth 1
SY Rave Synth 2
SY HOM Synth
SY Rude Boy
SY Techno Pluck
SY Prog Arpg
SY Chiptune
SY Psycho
SY Pop
SY Retro Xylo
SY Retro Vibe
SY Arpeggiate Me
SY Crushed Bell
SY Chord Pluck
FX EFX Arpg
FX Oceanography
FX Sweep FX
FX Wind
FX Space Talk
FX Space 1
FX Space 2
FX Retro UFO
FX Random Note
FX EDM Laser
FX EDM Zap
FX German Zap
FX Zap Drop
FX Noise Pere
FX Crash Noize
FX Metal Pere
DR Analog Snare
DR Analog Tom
DR Techno Kik
SQ SH-2 Kick
SQ Crush Kick
SQ Reso Bs LFO
SQ AIRA
SQ Alarm 1
SQ Alarm 2



SH-101 Plug-Out Patches

SH-101 Set 1: Assorted

LD the real 101 BS SH-101 Bass 1 LD Prog Lead 1 SY 101 Pluck BS EuBass LD Porlead DR Analog Kick 1 SQ Random Techno
BS Low Bass BS SH-101 Bass 2 BS SH-101 Bass 3 BS Solid Bass BS Electro Bass BS G Bass 1 BS SH Bass BS Bassic
BS Org Bass BS G House Bass BS Hard Reso Bs BS Reso Low Bass BS Reso Sweeper LD SH-101 Lead 1 LD Prog Lead 2 LD PW Lead
LD Square Oct Ld LD SH-101 Lead 2 LD SH-101 Lead 3 LD 20SC Lead LD Toy Lead LD Reso Lead SY Trance Pluck SY Funky Pluck
SY Sweet Brass SY Oct Brass SY 80's Bell SY Reso Chord SY Beam Reactor SY SH-101 Bite DR Analog Kick 2 DR Analog Tom
DR Impact Clap FX Broken Synth FX Alien Pluck FX Sweet Ride FX Noise Sweep FX Zap Boom FX Newzap

SH-101 Set 2: Assorted

LD Techno Lead BS G Wobble Bass LD G Buzz lead LD LFO lead BS UKSynth Bass BS Crush Bass 1 LD Cheer Lead SQ Glitch Beat 1
BS SH Low Bass BS G Bass 2 BS Wobble BS ElektronicaBs BS G Bass 3 BS Oisto Bass BS Sinwave Bass BS Bow Bass
BS Zap Bass BS Attacky Bass BS Nunclick Bass BS Deep Reeze BS EDM Vowel BS Oigi Bass BS Crush Bass 2 BS Vowel Bass 1
BS Vowel Bass 2 BS Oct Bass LD G V Lead LD G Lead 1 LD G lead 2 LD G Wobble Lead LD New T Lead LD Clone Waves
LD Pulsar l ead LD Chill l ead LD Trap l ead LD EDM l ead 1 LD EDM l ead 2 LD Scratch l ead LD Warning l ead LD Tronist l ead
LD Crush Voice ld LD Movingcrash DR Crush Kick DR G Kick SQ Glitch 4 Kick SQ Analog 4 Kick SQ Glitch Beat 2 SQ Glitch Beat 3
SQ Glitch Seq SQ Aliens SQ Rnd LFO SQ ComputerWorld FX Radioactive FX Space Gun FX Fencer FX Zez
FX Futurekik 1 FX Futurekik 2 FX Submarine

System-100 Plug-Out Patches

System-100 Set 1: Assorted

FX Arcade Game BS UDGR Bass LD Movesync Lead SQ Bell Tones SY Parallel Chd SQ Noise Seq 1 SQ Noise Seq 2 LD Fat Lead
SQ EFX Piano BS Reducer SQ Minimal Wave LD Random Lead FX Twin Moons SY Sys-tar PD Star Lights FX Dub Stabs 1
SQ Loose Plk FX Modular Talk FX Bell Effect LD Psy Trance SQ Auto Teck 1 BS 2Saws Bass PD Summer Pad DR Talking Toms
FX Vortex LD Triple Saws SQ Belgim Seq PD Pulsar Pad FX Satellites BS Fatty Bass SY Sweep Synth LD Orgel Lead
DR KickKickKick FX Rnd Noise BS Deep Hz Bass SY Electro Pop SQ Phaser Bass LO Dirty l ead BS Sub Harmony PD Vibra String
SQ Arpg Evolving SQ Noise Seq 3 BS Dual Saws LO Sweet Bell ld SQ Plodding Seq FX Modular Acid LO Soaring Lead FX Perform Ambi
LO Sync Sqr BS Org Sub Bs FX Psy Dimension LO Prog Dream SY Pop Pluck FX Scratchy BS Vowelz SY Blotter
LO Wolf Call SQ Psy T Arpg SQ Woody Bass SY Moss BS Bombastic FX DecendinMadns SQ Prog Tech

System-100 Set 2: Assorted

BS Nw Bass BS Shortsweep Bs BS Simple ResoBs BS Fat Saw BS Simple Bass BS Solid Bass BS Atk Bass BS Fifth Swell
BS Octave Bounce BS Bubble Sub BS Pulse BS Sqr+ Tri Bs BS Low Square BS Sqr Detune BS Fat Sqr BS Synth Funk
BS G-Funk BS FM Bass BS Rubber Gong BS Rub Bass BS FutureTechBs BS Reese Bass BS Phaser Bass BS Rubber Room
BS Backdraft BS Dub Bass BS Mod Bass 1 BS Mod Bass 2 BS Fat Bass BS Psych Mid LO Retro Saw ld LO Glide Detune
LD Octave Saws LO Simplitude LD Key Folw LFO LO Pulse & CMod LD Chorus LD LO Stiffed LO Hi Sqr Lead LO Reso Lead
LD Dragonflea LO Sync Lead LO Dirty Sync LO Enhanced NRG LD 80 Euro LD Modlead LD Science Lead LD 2LFO Mod
LO Electro Lead LD Mono Prog LO 4th Saw LD Love Parade LO Drain Lead LO Bright Lead LO VCF Noise LD SY Third Eye
SY Poppy Seq SY Ring Mod Meta SY S&H Warble SY Airy Pluck SY Doom Clav SY Disco Saws SY Simple Prog

System-100 Set 3: Assorted

SY Analog Brass SY Spiral Down SY Charms SY Fuzzrub SY Elecello PD Sweep 5th PD Pods Pad PD Square Pad
PD BOC Pad DR Noise Tom DR Synth Tom DR Nomal Syndr SQ Pluck Seq SQ Syn Gamelan SQ Dreamy Seq SQ Trance Plk
SQ Jp8 Arpeggio SQ Bleepy Seq SQ Hysteric Beat SQ Slice Noise G SQ Auto Teck 2 SQ Auto Teck 3 SQ Teck l oop SQ Noise Seq 4
SQ Noise Seq 5 SQ Rhythm Bs FX Reverse FX FX Telegraph FX Jitter Beats FX Tritonium FX Flux FX Compute
FX Im Alive FX Randomizer FX Sub Space FX HarshNoise SE FX Scrach Scrach FX Whales FX Solar Activit FX Auto Music
FX Sleepn Xaurus FX Dub Stabs 2 FX Sub Killer FX Compu Scream FX Techno Siren FX LFO Madness FX Cyber Talk FX AdventureGame
FX Network Error FX Neuro Network FX Analog Break FX Mod Effect FX Space FX Calculation FX Random FX1 FX Random FX2
FX Mod Galaxy FX Dub Slow FX Tee Dt Sinq FX Hysteria FX Splash FX FX Spiral FM FX Metal Broom